Concierto de Aranjuez 00:00 Will O'The Wisp 16:25 The Pan Piper 20:14 Saeta 24:10 Solea 29:17 ℗ Originally released 1960.
The two old friends and collaborators were on a huge roll creatively during this period.
Miles Davis Arranged And Conducted By Gil Evans Miles Davis Arranged And Conducted By Gil Evans - Sketches Of Spain (LP, Album, RE) CBS/Sony referencing Sketches Of Spain, LP, Album, Ltd, Num, RE, 180, MFSL 1-375, 88697943791 The exciting contender against this version will for most be the MFSL cut and Ill be comparing them both. It's easy to see why it was left off, since its tone is several shades brighter and the arrangement is more firmly entrenched in jazz proper-- it actually sounds closer to something from Eight of the 11 tracks on the second disc consist of alternate takes, including four that cover sections of "Concierto". Disc One, in addition to the full album, does contain the sessions' one true outtake, "Song of Our Country". Using French horn, harp, oboe, and bassoon, as well as more typically jazz brass instruments like trumpet and trombone (Paul Chambers and Jimmy Cobb, the rhythm section of Davis' band, are both on hand, but they're playing charts-- there's no room here for improvisation), Evans creates a shifting tapestry of luscious sound. As good as some of this material is, you'll never reach for this sequence over the master unless you're researching the subtle differences in the solos. Editors' Notes Between May of 1957 and March of 1960, Miles Davis collaborated with the composer and arranger Gil Evans to create a trilogy of masterpieces for large jazz ensemble. A live version of "Concierto" from 1961, the only time Davis performed this material in concert, is the most worthwhile inclusion by far. Miles Davis - Sketches of Spain (1960) full album João Busko; 6 videos; 266,463 views; Last updated on Sep 29, 2015 Sketches of Spain was perhaps the first Miles Davis album to inspire this question, though it certainly wouldn't be the last. Track listing:Concierto de Aranjuez (Adagio) - 00:00 Will o' the Wisp - 16:24 The Pan Piper (a.k.a. Working with arranger Gil Evans, Davis cooked up a concept album, looking to the structure and texture of Spanish folk and classical music for inspiration.
He sounds especially impassioned on "Saeta", a piece whose scales reflect the influence of North African music on flamenco.
Sketches of Spain, the last of the three, is a dazzling work, not only for the glowing, magisterial orchestrations, but for the stunning solo work by Davis, among his most expressive and affecting. Sometimes the music just seems to hang in the air, and sometimes it lurches toward an unexpected climax.
Davis was piling up hall of fame-caliber jazz albums with alarming regularity, while Evans, in addition to working with Davis frequently in the late 1950s, recorded what was perhaps his finest solo album in 1960, And that's the first thing to note about The writers of There's a real charge that comes from the distant, clattering percussion that begins "Concierto de Aranjuez (Adagio)", the opening track and centerpiece. Read and write album reviews for Sketches of Spain - Miles Davis on AllMusic Davis is the only soloist on the record, and he burrows deeply into the melodies, turning them over with a huge, bulbous tone that's both strong and vulnerable.
All rights reserved by Columbia Records, a division of Sony Music EntertainmentCopyright © 2020 https://www.discogs.com/Miles-Davis-Sketches-Of-Spain/release/4435330 That's a lot of scratch when you get down to what you're really paying for if you don't own the set already, and that's the first five tracks from the original record, 41 minutes of music total. But by the end of the disc we're hearing "Teo" from the 1961 album So the score given here reflects a compromise between the vast musical riches of the original album and the questionable packaging of the reissue. Alborada de Vigo) - 20:18 Saeta - 24:18 Solea - 29:30.
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